This week, I want to salute real
musical theatre enthusiasts here on the Simon Morris blog, by listing what I
believe are five underappreciated musical theatre show tunes.
We All Have a Show Tune That Made Us Fall in Love with Musical Theatre
Perhaps the reason I first fell
in love with musical theatre, back when a mini Simon Morris was first watching
actors tread the boards, is because I fell in love with a particular show tune,
‘Don’t Cry for Me Argentina.’
I’d say it’s the same for many
people. For all of us, there’s a show tune that defines us, and more, a show tune
that defines a show – ‘Defying Gravity’ in Wicked,
‘Memory’ in Cats etc. That’s great and
all, but it means that similar, just as good show tunes often get left in the
dust in the minds of musical theatre enthusiasts, in their hurry to re-listen
to their favourites.
Take a Listen to the Following Five Show Tunes
Which is why this week, I wanted
to educate and inspire in equal measure, by directing your attention to five
underappreciated show tunes that you’d really love, if only you took the time
to listen.
1) No Good Deed: It may not be as famous
as it’s more well-known cousins, such as ‘Defying Gravity’ or ‘Popular,’ but
‘No Good Deed’ is a song that is easily one of Wicked’s best. Elphaba’s absolute disillusionment that litters the
track is haunting, yet compelling for any viewer.
2) Finale B: I don’t why this show closer
was given such a non-descript name, because it’s a real experience to listen
to. It expertly combines several lyrical refrains that have run throughout
the show to bring RENT to a resounding, yet effortlessly hopeful conclusion that’ll
have you in tears every time.
3) The Temple: In the adoration that
usually gets poured liberally on solo pieces, ensembles often get left out of
the mix, which is completely the case with ‘The Temple,’ from Jesus Christ Superstar. The sharp
contrast between the protagonist’s anger at the largesse on display in the
Temple and his utter despair as he is crowded with lepers he is unable to help
once he escapes into the desert, will take your breath away.
4) Waltz for Eva and Che: When you think
of Evita, there are certain mind blowing
tracks that come to mind – ‘Don’t Cry for Me Argentina,’ Another Suitcase in
Another Hall,’ Buenos Aires,’ etc. Yet one that never does, but should, is the
fantastic ‘Waltz for Eva and Che.’ Coming close to the point where Eva dies,
it’s a sizzling affair, which expertly examines whether Mrs Peron really was a
saint or a sinner; not that it ever manages to answer the question!
5) Whispering: Spring Awakening really is the modern – yet old fashioned –
exploration of sexual awareness, with high octane numbers, but I would suggest
one of its stand outs is the more sedate ‘Whispering,’ sung by the female
protagonist, Wendla. Quite simply put, its heart breaking.
Which Songs Do You Believe are the Underrated Gems of the Broadway
Cannon?
And there are the five
underappreciated show tunes you should be listening to the minute you finish
this article. Do you agree Simon Morris readers? If not, then which songs do
you believe are the real underrated gems of the Broadway cannon?
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