What the Bloody Hell is Clinton the Musical?

The news that Clinton the Musical is definitely set to run off-Broadway has prompted me to ask this week on the Simon Morris blog; what the bloody hell is Clinton the Musical?

Clinton the Musical Set for Off-Broadway Premiere.

Imagine this. A slightly tired Simon Morris is on his laptop. He’s surfing around until he sees ‘Clinton the Musical Set for Off-Broadway Premiere’ on Google. What would he do? Of course he clicked it.

This actually happened. I clicked through and discovered an article which revealed that Clinton the Musical is set to open at the New World Stages (off-Broadway) on 9^th April. At this point I found myself asking one question. What the bloody hell is Clinton the Musical?

Plot Synopsis: Clinton the Musical

A million thoughts ran through my head. Is it a musical about Bill or Hillary? Is it about Monica Lewinsky or Hillary’s failed bid for President in 2008? Is it even about the Clintons at all? It would be accurate to say I was definitely intrigued.

It turns out one of my ideas was sort of right. Monica Lewinsky is involved. Kind of. Clinton the Musical tells the story of the two sides of Bill Clinton’s personality. The wholesome, intelligent one and the randy, charming one. The musical uses these separate characterisations of Bill Clinton to analyse his time in the White House.

Who is Bill Clinton?

Once I discovered the plot, I actually found myself drawn in by the idea of a musical about Bill Clinton. That’s because most of the time he did seem like two different people.

Bill Clinton was one of the most popular presidents in modern US history. He’s still popular even though he left the White House over a decade ago. Yet there was this other side to him that we only really saw with Monica Lewinsky and this other side has made people wonder whether they knew Clinton as well as they thought they did.

What is Clinton the Musical?

So what is Clinton the Musical? That has yet to be determined as the production hasn’t opened yet, but here’s what I think it is. A fascinating exploration of a fascinating man that has the potential to kick start a new musical theatre phenomenon.

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How to Blow a Musical Theatre Audition

If you’re the type of person who succeeds by learning what not to do keep reading, as this week on the SimonMorris blog I let you know how to blow a musical theatre audition.

Set Yourself Apart from the Competition

Musical theatre is a competitive industry. Each role has a thousand contenders, with only one actor destined to fill its shoes. You need to separate yourself from every other auditionee if you hope to secure the role of your dreams.

Distinguishing yourself apart from the competition begins at your very first audition. Nail your first audition and you’ll stick in the casting director’s mind as one to watch, as they weed their way through the hopefuls to find the right actor for the part. As such, you might find it pretty useful to know which mistakes you should avoid making on your first audition.

Five Mistakes That’ll Blow Your Audition

Auditioning is a minefield. The following five mistakes will have your casting director screaming ‘next’ before you’ve even gotten started…

•       Picking the Wrong Audition Song: The right song will make your voice shine and show a casting director why they need you in their production. The wrong song will not only point out your vocal weaknesses, but show the casting director why you’re wrong for the part.
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•       Assuming You Know What Directors Are Looking For: Directors are a strange bunch. They like to look for something fresh, new and innovative. If you assume you know what a director’s looking for before you step on stage, you may convince them you’re not right for their interpretation of the character in question. Just be yourself.
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•       Doing Something Offensive: People seem to think doing something offensive at their audition will make them stand out. Yes it’ll certainly make you stand out… as someone who’d be a nightmare to work with. If you get the urge to pick an audition song or a monologue with a curse word in it, think again.
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•       Crying on Stage: This is not the X Factor. Bursting into tears and letting everybody and their mother know why this means so much to you won’t do you any favours. It’ll just convince the casting director you’ve got a screw loose. No one wants to work with a performer who bursts into tears every five seconds.
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•         Talking back to the Casting Director: Musical theatre is not a democracy. It’s a dictatorship. If a casting director tells you to do something, you do it. If they tell you to jump, you ask how high? If they tell you to do the Macarena whilst singing ‘Defying Gravity,’ get dancing!

Think About What You Do, Say and Even Think!

Let me make something clear. Don’t think that if you avoid these five mistakes you have free reign to do whatever you want in your audition. Think long and hard about what you do, say and even think before you walk into an audition if you want to secure the role of your dreams.

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2014 Hailed as Broadway’s Most Lucrative Year Ever

Following the recent announcement that Broadway saw its most lucrative year ever in 2014, this week on the Simon Morris blog I wonder; what does this say about the Great White Way?

The Centre of the Musical Theatre World

From the time he first gained the ability to say the word ‘Broadway’ out loud, a young Simon Morris dreamed of going to see a production in the most famous theatre district the world has ever seen.

Broadway is the centre of the musical theatre world. Think of a major musical theatre production. It’ll have played on Broadway at some point. Indeed, many of the shows that you love the most i.e. Wicked were first brought to the attention of the world because they were brought to the Broadway stage.

Broadway Rakes in $1.362 Billion in 2014

Now it appears as though more people than ever feel the way I did as a young boy, as according to the Guardian 2014 was the highest grossing year in Broadway history. Broadway League data suggests that productions raked in box office takings of $1.362 billion in 2014, a rise of 14% from the year before.

Meanwhile, 13.3 million people attended shows on the Great White Way last year, an increase of 13% from 2013. Extra data goes on to show that Broadway racked up its most lucrative seven days ever in the week of New Year. NYC’s most noted theatre district amassed $42.8 million that week alone with 37 shows running at 94% of theatres’ total capacity. In other words, 346,913 people made the effort to attend a show on Broadway over this seven day period.

Audiences Seem More Enthusiastic About Long-Running Favourites

The executive director or Broadway League, Charlotte St Martin, commented on the release of the figures. She noted that the box office takings increase “demonstrates that our producers are giving audiences a variety of plays and musicals to please many tastes… In addition to long-running favourites, audiences are enthusiastic about the new shows too.”

Yet audiences seemed far more enthusiastic about the long-running favourites than any of the newer shows that have recently graced the Broadway stage. That same week saw perennial favourite Wicked recorded the highest grossing eight-performance week in Broadway history, raking in $2,740,642. Meanwhile The Lion King reaped $2,514,994 and The Book of Mormon earned $2,224,280.

The Ultimate Tourist Attraction

In other words, Broadway’s record breaking performance throughout the course of 2014 was supported by its fan favourites. This suggests that the Great White Way is transforming into a tourist attraction more known for its classic productions, than for its ability to light up the world of musical theatre by introducing new ground-breaking shows to a mass audience.

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Gypsy Returns to the West End

You’ll be pleased you clicked onto the Simon Morris blog this week, as I have some mind-blowing news to share with you. Gypsy is coming back to the West End for the first time in 40 years!

The Greatest Musical to Ever Grace the Broadway Stage

I can still remember the day that a musical theatre enthusiast by the name of Simon Morris saw his first ever production of Gypsy.

It may have been raining outside, but that did nothing to dampen the joy that filled my heart by the time the curtain fell on Gypsy. A musical dedicated to telling the story of Momma Rose, a woman who travels across the US with her daughters in search of stardom on the Vaudeville circuit, Gypsy is often regarded as the greatest musical to ever grace the Broadway stage.

Kent and Staunton

That’s why I was so excited last month when Imelda Staunton took the time to announce that she’s set to star in a West End revival of Gypsy. The production is set to play at the Savoy Theatre for a limited run from the 15^th April.

Directed by Jonathon Kent, this version of Gypsy is actually a transfer of a production put on at the Chichester Festival Theatre in Sussex. Furthermore, Kent and Staunton have also collaborated on Good People and Sweeney Todd, which also transferred to the West end after runs at the Chichester Festival Theatre.

“As Great a Performance in a Leading Role in a Musical as I’ve Ever Seen.”

According to the Evening Standard, Staunton suggested that she was thrilled to be given this opportunity, even if she finds taking on the iconic part in the West End somewhat “daunting.” She also noted that “I don’t have a life when I’m doing it,” suggesting she’s doing everything she can to shine in this behemoth of roles.

Kent certainly seems to think she is up to the task. The director commented: “She has an extraordinary voice that I think is anatomically impossible from that small frame. This is as great a performance in a leading role in a musical as I’ve ever seen.”

Any Chance to See Gypsy on Stage

Powerful words indeed. I personally think that considering the stature of the actress in question, the first revival of Gypsy to hit the West End in 40 years is sure to prove a colossal hit. Yet I honestly don’t care that much whether that turns out to be the case; I’ll take any chance to see Gypsy on stage!

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Five Movie Musicals You Need To Watch Over the Holidays.

We’ve officially entered the holidays, and this week on the Simon Morris Blog I wanted to help you celebrate your favourite time of the year by revealing five movie musicals you need to watch over the holidays.

Simon Morris’ Favourite Time of the Year

Ever since a young Simon Morris first decorated his first tree, I’ve been a huge fan of Christmas. There’s just something about this time of the year – the dazzling fairy lights, finding garlands of tinsel everywhere you look, munching on mince pies with the family round the tree – that just gets me right there.

In my opinion, there’s no better way to cap off the holiday season than to gather with the family around a roaring fire, and engage in a movie musical marathon. By the time the final credits role, you’ll all be singing from the rooftops, ready to welcome Santa down your chimney on Christmas Eve.

Include These Five Movie Musicals on Your Christmas Wish List

Yet with so many classic movie musicals out there, which ones should you take the time to watch over the holidays? In my opinion, the following five just have to be on the list…

1)      Annie: Don’t mistake me, I’m not talking about the new version with Cameron Diaz, although I can’t wait for that either. No, this Christmas you have to stick on the original. A classic down-on-her-luck orphan makes good story with bundles of heart, it’s sure to help you sail away from your own ‘hard knock life’ this holiday season.

2)     Chitty Chitty Bang Bang: At this point I hear you groaning, but it really is the perfect movie musical to flick on over the holiday period. Basically, it’s so wonderfully wacky that it’ll have you in stitches in minutes, and who doesn’t want to give themselves the gift of laughter this Christmas?!

3)    The Wizard of Oz: The film that launched the career of movie musical icon Judy Garland, the Wizard of Oz is perfect for any time of the year. However it’s effortless charm, dazzling shades of technicolour, fantastically whimsical characters and solid moral centre make it a movie musical you just need to watch over the holiday season!

4)      An American in Paris: If you’re looking for something to share with your lover and make memories this holiday, I’d absolutely recommend you give An American in Paris a go. The story of an American ex-GI whose paintings come to the attention of a rich American heiress makes this classic production one for the ages!

5)      White Christmas: I had to end this list with an actual Christmas themed movie musical, and what better production could I have chosen than White Christmas? The Bing Crosby classic about a successful song-and-dance team who become romantically entangled with a sister act is just so full of heart you have to watch it over the holiday season.

Don’t Stop There

I may have given you five, but you really don’t have to stop there. If you’re like me, and the best gift you can give yourself this Christmas is the gift of a movie musical marathon, sit the family down and prepare for the ride of your life this holiday season!

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The Rise of the Next Movie Musical Superstar

With 2015 set to be American actress Anna Kendrick’s year, this week on the Simon Morris blog I want to explore the rise of the woman who I believe is the next movie musical superstar.

A Kid with a TONY Award Nomination

Believe it or not, a young musical theatre enthusiast by the name of Simon Morris first became familiar with the work of an even younger Anna Kendrick way back in 1998.

That was the year she received her first credit on Broadway performing in 90’s musical High Society. Her performance was such a hit that not only did she bag a Theatre World Award, she clinched a nomination for a TONY Award.

The Year Kendrick Becomes a Bonafide Movie Musical Star

Since her turn on Broadway, her career has shot into the stratosphere. She caught the attention of global audiences when she starred in the Twilight Saga, and has developed a career in movie musicals with productions such as Pitch Perfect. She even scored a US chart hit with ‘Cups (When I’m Gone)’ – a track from the musical comedy flick.

Now it appears as if 2015 is the year that she’s going to become a bonafide movie musical star. By the time the year reaches its end, Anna Kendrick will have starred in three movie musicals.

Three Movie Musicals in One Year

Anyone who’s anyone knows that Kendrick is set to feature as Cinderella in Into the Woods. A favourite among Sondheim fans everywhere, the film – which is due to be released this Christmas – is sure to prove a hit with audiences across the world.

Yet there are two more movie musical projects starring Kendrick that are slated for a 2015 release. The first is a film adaption of 2002 Broadway production The Last Five Years. This critically acclaimed two person show is a hard mountain to conquer, and the fact that Kendrick has been tapped to climb it indicates that those whose opinions matter consider her a talented musical theatre performer.

Meanwhile, the sequel to Pitch Perfect is also scheduled for a 2015 release. Considering the popularity of the film – how it opened up the genre to people who would normally loath everything musical theatre – I have no doubt it’ll be everywhere in 2015.

Anna Kendrick Will be Everywhere

Just like Pitch Perfect 2, Anna Kendrick’s movie musical performances will be everywhere in 2015. If that doesn’t sound like the next movie musical heavyweight to you, I think you might need to ask your nearest and dearest to buy you a new dictionary this Christmas!

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Beloved Movie Musical Destined for Broadway

This week, Simon Morris learned that beloved movie musical Gigi is destined for Broadway, with High School Musical alum Vanessa Hudgens slated to star in the title role.

Simon Morris Should Have Lived in Another Decade

When I was a child, I was one of those precocious kids who would have sworn down, had someone asked him, that I belonged in another era. Specifically, the era when the classic Hollywood movie musical reigned supreme.

Many a clock hand turned from 12 to 12, whilst a young Simon Morris whiled away the hours entranced by the sounds of classic Hollywood show tunes filtering through the room. Among my many favourites was the iconic MGM movie musical Gigi.

The Story of a Young Courtesan in Turn-of-the-Century Paris

Adapted from a novella written in 1944 and a stage musical from 1951, Gigi was a 1958 film directed by the legendary Vincente Minnelli. It chronicles the story of Gigi, a young girl raised by two courtesans in turn-of-the-century Paris to take on the role of lover to a wealthy patron, Gaston. Their plans go awry when Gaston falls for the young Gigi and plans to marry her.

The film was a cinematic triumph, bagging nine academy awards along with the hearts and minds of a generation. Now it’ll have the chance to do the same with a new generation, as a fresh stage version of the musical has entered production, ready to open on Broadway in early 2015.

She Came When Vanessa Hudgens Least Expected It

Actress Vanessa Hudgens is slated to star in the title role. She’s no stranger to the genre, having rose to fame as part of the High School Musical franchise, and starred as Mimi in a production of RENT at the Hollywood Bowl.

She recently spoke about landing the role – her first on Broadway – to People Magazine. Hudgens suggested that "I've been waiting for the right role to come along, and she appeared to me when I was least expecting it," before adding that "it's been a lot of fun prepping for Gigi … allowing myself to be as free as possible. I love this character, the music and play so much." 

Bringing Gigi to a Whole New Audience

Hopefully, that love will translate into a stellar performance when a revamped Gigi makes its first appearance on the Great White Way next year. Such a performance would show a whole new generation of musical theatre lovers why so many people fell in love with the story of a young Parisian mistress way back in 1958.

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Ronan Keating Label’s Once Debut “Liberating.”

If you’re a follower of Once, Simon Morris readers, you’ll have wondered how Ronan Keating did in his first night in the role of Guy; something he labelled “liberating.”

The Story of a Down-On-His-Luck Dublin Busker

As an adult, I’ve developed a passion for carefully crafted, thought provoking musical theatre which tells a captivating story, and accompanies it with a mind blowing score. There are few musical theatre productions that have piqued the interest of an adult Simon Morris the way Once has.

For those of you who haven’t heard yet, the story of Once chronicles the life of a down-on-his-luck Dublin busker named Guy. A man in need of inspiration, when he meets a woman who sparks his creative juices he stumbles on inspiration in spades, only to find out that she’s married.

Could Ronan Keating Hack it in the Role of Guy?

A modern day smash, Once has proved a hit with audiences around the world. UK musical theatre enthusiasts have proved no exception, as the West-End’s Phoenix Theatre production of Once turned out to be a runaway success.

That’s why I was a little apprehensive when I learned that former Boyzone frontman Ronan Keating was taking over the role of Guy. I honestly doubted he had the vocal prowess and onstage charisma to pull it off.

“The Most Liberating Experience.”

Yet if Keating himself is to be believed, his first night in the role of Guy left him feeling like a new man. According to the BBC, Keating labelled his performance "the most liberating experience."

Speaking in the wake of his debut, Keating admitted that at first, his performance was "all over the place,” but by the time the curtain fell he was left “feeling great.” He also said that "the stress and fear when I walked out was overwhelming," but once he got into it, “it was wonderful."

“An Extremely Creditable Account of Himself.”

And it seems the critics think he gave a decent performance as well. The Independent’s David Lister labelled it “surprisingly good,” whilst Fiona Mountford at the Evening Standard said that Keating gave “an extremely creditable account of himself” in the role of Guy.

In other words, he did pretty well for himself considering the fact that he’s a new comer to the West End stage. Maybe his liberating experience powered his performance and made him shine in the role of a down-on-his-luck Dublin busker!

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What Did the Critics Think of Made in Dagenham?

Now the musical has officially debuted on the West End stage, this week on the Simon Morris blog I ask what the critics thought of Made in Dagenham.

The Real Story of the Ford Sewing Machinists’ Strike of 1968

I’ve been waiting with baited breath for the release of Made in Dagenham. As I pointed out in a recent blog post, I held high hopes for it. The story is compelling and the score looked promising. In other words, it looked like a West End smash just waiting in the wings.

The musical, an adaption of a 2010 film of the same name, chronicles the real story of the Ford sewing machinists’ strike of 1968, when workers protested in hopes of securing equal pay. It stars accomplished actress Gemma Arterton in the lead role of Rita O’Grady; an ordinary woman turned into a leader by extraordinary events.

A Deeply, Unapologetically, British Musical

Made in Dagenham debuted at the Adelphi Theatre in London’s West End on the 5^th November. The reviews are in, and as ever there seems to be somewhat of a mix.

There was plenty to like about the show. Paul Taylor at the Independent labelled it "a big-budget, even more crowd-pleasing, British musical," whilst the Evening Standard’s Henry Hitchings called it “a deeply, unapologetically British musical with a quirky, big-hearted charm." It was generally praised for its mischievous lyrics, amiable production, gag-infested book and feel-good vibe.

Sanitised in the West End

Yet these positives left some critics feeling as though the production lacked the substance that a musical about the struggle for women’s rights in the 60’s needs to make it resonate.

The Guardian’s Michael Billington suggested that despite the show boasting some positive elements, it "suffers from its caricatures, relentless jokiness and a functional score." In other words, he’s saying that it makes a good stab at representing feminism, but lacks passion and ultimately, substance. This is something echoed by the Morning Star, which said the show was “sanitised” in the West End.

A Thrilling Night’s Entertainment in the West End.

Ultimately, it seems as though the critics are saying that Made in Dagenham is hardly going to make Germaine Greer’s must see list anytime soon. Nevertheless, it’s a fun, big-budget affair that should provide a thrilling night’s entertainment in the West End.

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Five Best Musical Theatre Dance Numbers

I celebrate the sheer spectacle actors are capable of putting on in a production this week on the Simon Morris blog, by sharing what I believe are the five best musical theatre dance numbers of all time.

Dance, the Physical Expression of Emotion

For the true musical theatre enthusiast, there is no one element that defines the love they share for the medium. The successful show is able to combine consummate acting, thought provoking dialogue, rousing musical tunes and jaw-dropping dance numbers to create a masterpiece.

Dance – the physical expression of emotion – works in musical theatre, because it accentuates and underscores the songs leaving the characters lips, providing us with more clarity into who said characters really are. As such, the medium has become known for the plethora of inspiring dance numbers it has spawned over the years.

These Five Dance Heavy Numbers Stood Head and Shoulders Above the Rest

Some of these numbers stand head and shoulders above their competitors, as true examples of what a production can really do, when it takes full advantage of its ability to incorporate the art of dance. The following five mastered the craft…

1)      Cellblock Tango: The people who created Chicago picked the perfect name for this number. A tango is a daring dance which takes you to the edge, which is where these merry murderesses are, as they chronicle their stories of how they came to the cellblock. As such, the song’s infamous tango routines are not only spellbinding to watch, but fit seamlessly into the narrative.

2)      Buenos Aires:  When you’re a young girl moving to the Big City, you’re full of life and energy; something conveyed by the high-energy, frenetic dance routines of Evita’s ‘Buenos Aires.’ As Eva glides across the floor with a number of men, the dance underscores the words, to help the audience really understand just what this girl has planned for her time in the Big Apple.

3)      Electricity: A show that centred on one boy’s dream of becoming a professional dancer, it makes sense that a number from Billy Elliot would make this list. The number I have chosen is ‘Electricity,’ and I have chosen it, because that’s exactly what it is. When Billy lets go and shows us what he do, with a number of intricate, awe inspiring dance moves, it really is electric.

4)      Time Warp: The Rocky Horror Picture Show is a musical dedicated to exploring the weirder side of life, and nothing quite expresses this like the infamously wacky dance routine in the show’s signature hit, ‘Time Warp.’ Honestly, it’s infectious, and often has people standing up in their seats to match the actions of the actors on stage, as they bust out the ‘Time Warp!’

5)      One: This number typifies the genre. From the show A Chorus Line, a musical about the public and private lives of dancers, ‘One’ is the ultimate stage dance number. With a group of dancers, all identically dressed in gold costumes, performing the same steps in sync with pin point precision (including a never ending stream of hard-to-execute shoulder high chorus line kicks) ‘One’ is a masterpiece.

So Many to Choose From

The great thing about this is, that I honestly had to narrow down the list from a lot, to five. I had to neglect other dance numbers I love, such as ‘Anything Goes,’ ‘Hard Knock Life’ and ‘Santa Fe.’ There’s just so many to choose from, showing just what the musical theatre genre is capable of, when it chooses to incorporate the art of dance!

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A Bend it Like Beckham Musical is Happening!

Fans of the cult female football film will be amazed to hear on the Simon Morris blog this week, that a Bend it Like a Beckham musical is finally happening!

Bend it Like Beckham, a Cult Classic

As a young Simon Morris, musical theatre wasn’t my only interest. I was also a big film buff, and no film charmed me quite like Bend it Like Beckham; no wonder it’s a cult classic.

For those who haven’t seen it, here’s the run down. It’s about a girl living in a traditional Sikh family who yearns to play football professionally, like her idol, David Beckham. After she joins an amateur women’s team, she battles to make her dream a reality, whilst simultaneously falling in love.

What Do We Know About the Bend it Like Beckham Musical?

Yes, it may be cheesy, but it’s addictive, which is why I’m not really that surprised to hear that Bend it Like Beckham will be adapted to the West End stage. Even better, it’ll be written and directed by the same woman made the original 2002 film; Gurinder Chadha.

That’s one of the few things we know about the project at the moment; details are somewhat thin on the ground. We do also know, however, that with previews starting on 15^th May 2015, it will open properly on the 24^th June 2015 at the Phoenix Theatre.

A Totally New Kind of Musical

Chadha took the time to comment on the project. She said that "developing Bend It Like Beckham for the stage has been the most enjoyable creative process of my career so far."

She went on to say that "it was always my intention to build on the film and to present its themes and storylines to live audiences in an exciting new dynamic way. I believe we are presenting a totally new kind of musical - part West End, part London Punjabi, but whole-heartedly British."

A Once-in-a-Lifetime Experience

So we may not know much, but what we’ve heard from Chadha makes me really excited for a Bend it Like Beckham musical in the West End. It’s sure to be a one-in-a-lifetime experience!

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Is Frozen Coming to Broadway?

This week on the Simon Morrisblog, I discuss the question on every movie musical enthusiasts lips right now; is Frozen coming to Broadway?

Frozen, Disney’s Biggest Smash Hit in Years

For any of you who haven’t seen Frozen, where have you been? It’s only the biggest movie musical animation smash since The Lion King. It’s grossed millions at box offices around the world, and inspired a cult following usually only gathered by the Star Wars and Harry Potter franchises.

Frozen is a Disney animated movie musical that reimagines the story of Hans Christian Andersen’s fairy tale, The Snow Queen. With names such as Kristen Bell, Idina Menzel and Jonathan Groff lending their voices to the film, as well as one of the most infectious musical numbers in recent years (‘Let it Go’), it was always destined to become a colossal hit.

Disney’s Stellar Track Record on the Broadway Stage

So of course, ever since it was released, fans have been wondering when it would come to Broadway. This is a prudent question, considering the fact that Disney have transformed a number of their most famous movie musicals into bona fide stage hits.

Movies including The Little Mermaid, Beauty and the Beast and The Lion King have all been reinterpreted for the Broadway stage. The Lion King in particular has become a fan favourite, burrowing its way into the hearts and minds of theatre goers around the world.

Disney Director Speaks Out on Frozen Stage Adaptation

Now it looks like Frozen is set to do the same. In a recent interview with the Hollywood Reporter, Thomas Schumacher, Disney Theatrical executive, announced he is currently putting the wheels in motion to make sure a stage adaptation of Frozen happens.

Schumacher confided that “I’m already talking to directors, and I have a design concept, and we have to begin to fashion this idea,” before emphasising, “it doesn’t need to be fast. It needs to be great.” He went on to say that “there’s something purely theatrical about the relationship between these two women [Elsa and Anna],” adding “you can see it.”

Counting Down the Days

You certainly can, and I have no doubt that he’ll put on a stage version of Frozen that will do its silver screen predecessor proud. So yes, a Broadway version of Frozen looks like it’s really going to happen. Now, I’m counting down the days until it hits the boards!

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Lindsay Lohan in The West End

After Lindsay Lohan’s debut in the West End, I thought I’d take the time to look at how she did this week on the Simon Morris blog.

Even Simon Morris Occasionally Watches a Straight Play!

Whilst I usually prefer to head down on a sojourn to the West End for a day chock full of musical theatre, I sometimes wander off the beaten track and take in a straight play or two. I can’t tell you how many times I’ve seen The Mousetrap!

So of course, it was only a matter of time until I heard about the latest news rocking the UK’s theatre district. Lindsay Lohan is in Speed the Plow. Unfortunately, I didn’t get the chance to see it for myself. That may have been a good thing, as the critics weren’t exactly bowled over.

What is Speed the Plough?

For any of you who don’t know, Speed the Plow is a play by David Marmet, which expertly dissects the American movie industry. It tells the story of what happens when a hugely bankable star agrees to feature in a sure fire hit; a dream come true for its producers, until their plans are derailed by temp secretary Karen.

It first debuted on Broadway in 1988, with the Queen of Pop herself, Madonna, in the pivotal role of Karen. It is the role of Karen that Lohan is currently playing, in the current incarnation of Speed the Plough, which is being put on at the Playhouse Theatre in the West End.

What are the Critics Saying?

Marmet himself has said that he is proud of the effort Lohan is putting into the role, but what are the critics saying? Well let’s just say they’re not exactly universally praising her acting ability.

The Daily Mail’s Georgina Brown, for example has said that “it was more of an unfortunate prang than a total write-off.” Meanwhile according to the BBC, critic Mark Shenton has pointed out that at one point she forgot her lines, whilst theatre critic Quentin Letts commented that “Lindsay Lohan's acting is like that of a not specially gifted schoolgirl.”

Yet the same BBC article suggested that Lohan’s performance wasn’t a total car crash, as many had predicted. Fay Strang at the Daily Mirror suggested that Lohan "pulled it back after the incident with her lines, "showing she's a true professional."

It Really Could Have Been Worse

So from what the critics are saying, it doesn’t look like Lohan is winning an Oliver Award any time soon. However, I generally get the feeling that it really could have been worse. If you want to see what all the fuss is about, I’d suggest you check out the show now, while you can.

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TONY Award Winning Musical to Close on Broadway

This week I want to take the time here on the Simon Morris blog to persuade you to see TONY award winning musical Once while you can, as it is due to close on Broadway.

The Story of a Dublin Street Busker Down on His Luck

Once is a stage adaptation of the movie musical of the same name, which was critically acclaimed and even won an Academy Award for Best Original Song in 2007.

Once tells the story of a Dublin street busker who’s down on his luck, and about to give up his dream. That is until he meets a beautiful young woman, who is suddenly enchanted by his haunting love songs. Yet as they fall in love, his music soars to new heights until he discovers she has a husband.

“An Unforgettable Story about Going for Your Dreams.”

Billed as “an unforgettable story about going for your dreams and the power of music to connect us all,” in the press notes, Once opened to great critical acclaim on Broadway in 2012.

That acclaim carried it to victory at the 2012 TONYs, becoming the most awarded show of the New York theatre season, and even clinching the coveted Best Musical award. Furthermore, it secured the 2013 Grammy Award for Best Theatre album, and has gone on to spawn productions around the world, including in the West End.

Once to Close on Broadway in 2015

Which is why many musical theatre fans (including Once fan Simon Morris), were disappointed to learn that Once is closing on Broadway. According to Playbill, producers announced last week (Wednesday 7^th October) that Once will play its last show on 4^thJanuary 2015.

By the time the theatre doors well and truly close on Once, it will have played a staggering 1,167 regular performances on Broadway, as well as 22 preview performances. Despite the show closing on Broadway, however, it will still be playing at the Phoenix Theatre in the West End.

See Once While You Can

So considering how critically applauded the musical is, I think I have stated my case for why you should take the chance to see it on Broadway if you can before it closes. If not, then I’d highly suggest you go to see it in the West End.

Simon Morris

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Nicole Scherzinger to Take Role of Grizabella in Cats!

With the recent announcement that Nicole Scherzinger will take on the role of Grizabella in Cats, I want to explain here on the Simon Morris blog why I think its inspired casting.

Nicole Scherzinger to Make West End Debut

According to the Independent, the former Pussycat doll has agreed to take a sojourn to the West End. She will be playing the role of Grizabella in Andrew Lloyd Weber’s Cats for a limited run at the end of 2014.

Of what will be her West End debut, Scherzinger said that “to have the opportunity to work with Andrew, Trevor and Gillian is a dream come true. I grew up listening to Andrew’s extraordinary music and was lucky enough, a couple of years ago, to record Cats’ beautiful song ‘Memory’.”

Does a Popstar Have Any Business on the West End Stage?

So is she right for the role? Let’s start with the elephant in the room. The uninitiated are probably thinking right now, ‘she’s a popstar, she has no business on a West End stage.’

Yet you read it for yourself, she’s already recorded the character’s (and the show’s) signature song. In fact, she has a musical theatre background, majoring in acting and musical theatre at Wright State University.

More to the point, she’s had experience, as she’s not only played the part of Velma in a production of Chicago, but she rose to the occasion when she took on the role of Maureen in a special production of RENT at the Hollywood Bowl in LA. Critically lauded, the latter was a resounding success.

Could Nicole Scherzinger Play Grizabella?

OK, so we know Scherzinger can hack it on a musical theatre stage, but is she specifically right for the part of Grizabella. I think she is, and it’s all to do with who Grizabella is as a character.

Despite her outward appearance as a past-her-prime glamour cat, complete with ragged worn out overcoat, black sequin dress and gold kitten heels, Grizabella is an outsider, just looking to be accepted and adored as she once was. Scherzinger’s own struggles, coupled with her penchant for glamour, mean she can identify with the character.

You Need to Find Something in the Character you can Identify With.

Ultimately, any successful actor will tell you that in order to pull off a part, you need to be able to find something in them that you can identify with. That’s why I think Scherzinger can pull off the role of Grizabella.

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Five Underappreciated Musical Theatre Show Tunes

This week, I want to salute real musical theatre enthusiasts here on the Simon Morris blog, by listing what I believe are five underappreciated musical theatre show tunes.

We All Have a Show Tune That Made Us Fall in Love with Musical Theatre

Perhaps the reason I first fell in love with musical theatre, back when a mini Simon Morris was first watching actors tread the boards, is because I fell in love with a particular show tune, ‘Don’t Cry for Me Argentina.’

I’d say it’s the same for many people. For all of us, there’s a show tune that defines us, and more, a show tune that defines a show – ‘Defying Gravity’ in Wicked, ‘Memory’ in Cats etc. That’s great and all, but it means that similar, just as good show tunes often get left in the dust in the minds of musical theatre enthusiasts, in their hurry to re-listen to their favourites.

Take a Listen to the Following Five Show Tunes

Which is why this week, I wanted to educate and inspire in equal measure, by directing your attention to five underappreciated show tunes that you’d really love, if only you took the time to listen.

1)      No Good Deed: It may not be as famous as it’s more well-known cousins, such as ‘Defying Gravity’ or ‘Popular,’ but ‘No Good Deed’ is a song that is easily one of Wicked’s best. Elphaba’s absolute disillusionment that litters the track is haunting, yet compelling for any viewer.

2)      Finale B: I don’t why this show closer was given such a non-descript name, because it’s a real experience to listen to. It expertly combines several lyrical refrains that have run throughout the  show to bring RENT to a resounding, yet effortlessly hopeful conclusion that’ll have you in tears every time.

3)      The Temple: In the adoration that usually gets poured liberally on solo pieces, ensembles often get left out of the mix, which is completely the case with ‘The Temple,’ from Jesus Christ Superstar. The sharp contrast between the protagonist’s anger at the largesse on display in the Temple and his utter despair as he is crowded with lepers he is unable to help once he escapes into the desert, will take your breath away.

4)      Waltz for Eva and Che: When you think of Evita, there are certain mind blowing tracks that come to mind – ‘Don’t Cry for Me Argentina,’ Another Suitcase in Another Hall,’ Buenos Aires,’ etc. Yet one that never does, but should, is the fantastic ‘Waltz for Eva and Che.’ Coming close to the point where Eva dies, it’s a sizzling affair, which expertly examines whether Mrs Peron really was a saint or a sinner; not that it ever manages to answer the question!

5)   Whispering: Spring Awakening really is the modern – yet old fashioned – exploration of sexual awareness, with high octane numbers, but I would suggest one of its stand outs is the more sedate ‘Whispering,’ sung by the female protagonist, Wendla. Quite simply put, its heart breaking.

Which Songs Do You Believe are the Underrated Gems of the Broadway Cannon?

And there are the five underappreciated show tunes you should be listening to the minute you finish this article. Do you agree Simon Morris readers? If not, then which songs do you believe are the real underrated gems of the Broadway cannon?

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Emma Thompson Talks about Recent Musical Comeback

Emma Thompson recently delighted musical fans by talking about her return to the genre. This week on the Simon Morris blog I ask; what did she say?

Emma Thompson, the Legend That Is

There are few actresses as prolific, as talented and as respected as Emma Thompson. She’s stared in some of Hollywood’s biggest productions, including Love Actually, the Harry Potter series, Sense and Sensibility, and Nanny McPhee. This work has led her to numerous award nominations and wins, including an OSCAR.

However, what is perhaps less known about Thompson, is that she’s done a lot of stage work as well. In actual fact, she’s a pretty talented stage actress, having starred in productions such as A Midsummer Night’s Dream, King Lear, Not the Nine O’clock News and Me and My Girl.

Emma Thompson Stars in Sweeney Todd

Yet she hasn’t done any stage work in years, and certainly no musicals. However, that changed this year, when she took on the iconic role of Mrs Lovett at Lincoln Centre on Broadway earlier this year in classic musical Sweeney Todd.

She’s now spoken out on the experience. According to the BBC, she called it "beautiful, inspiring," elaborating that "it was magical to be in front of an audience again," and that "it made me weep."

Thompson Set to Reprise the Role in London in March 2015

She then turned her attention to the London production. On the back of glowing reviews of the OSCAR winner’s performance, Thompson has been invited back to reprise the role in London in March. Something the actress said was "like a dream coming true."

She went on to talk about how she wants to tackle  the role this time around, suggesting that there would be "a slight improvement" in March, and that "and by that I mean no nausea," further suggesting that "If I can manage the fear without the nausea I'll be fine."

I’ll Let You Know How She Does

Personally, I don’t think Emma Thompson will have a problem when she comes to reprise the role she played so well on Broadway, in the West End. Either way, I’ll let you know here on the Simon Morris blog how she does, since obviously, I’m definitely planning on going to see it!

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Actress Withdraws From Iconic Musical Wicked

After hearing that Nikki Davis-Jones has withdrawn from Wicked, I ask this week on the Simon Morris blog; what next for the West End hit?

Nikki Davis Jones Sparkled on Stage as Elphaba in Wicked

Whilst I adore the Broadway version of the production, in my personal opinion, nothing can compare to the West End’s take on modern musical blockbuster. Opened by original Elphaba, Idina Menzel herself, it has since gone on to enchant audiences around the world, including one musical theatre blogger by the name of Simon Morris.

Which is why I cheered when I heard that Nikki Davis-Jones was set to take up the role of Elphaba, both on the UK tour version of Wicked, and on the West End stage. With past credits including the role of The Girl in Blues in the Night at the Hackney Empire, and RENT’s Maureen at the 20^th Anniversary Concert tour, the actress was a great edition who has shined since she first joined the UK tour of Wicked.

Davis-Jones Announces Her Departure from Wicked

She was due to jump ship from the tour to the West End version of Wicked on the 27^th October. Yet now, it appears that not only will Davis-Jones not do so, but that she has left the tour production as well.

According to The Stage, the actress has left both. Michael McCabe, executive producer of the show, commented on the news, saying that he was “extremely sorry” that the actress has withdrawn from the show. He added that “we all fully support Nikki’s position and very much look forward to working with her again in the future.”

When One Elphaba Leaves, Another Arrives

Whatever the reason for the withdrawal, it is a move that could potentially damage the West End version of Wicked. The fact that they are losing the actress set to take over their main role is naturally one that will rock the show as it scrambles to recover.

Yet it seems the show has handled the move quite well. Jemma Alexander has stepped into the role on tour, with acclaimed West End Elphaba Ashleigh Gray set to take over when the show comes to the Liverpool Empire on the 16th September.  Her experience in the role will ensure the show quickly gets back on its feet, and it’s only a matter of time until the West End version of Wicked finds a stunning replacement for Davis-Jones as well.

A Show is More Than the Sum of its Parts

What this goes to show, Simon Morris readers, is that a show is more than the sum of its parts. Yes, it’s a loss to see a leading lady depart. However, for a role as powerful as Elphaba, there is always an actress who is just as talented, ready to step into her shoes, and take the audience on a journey they will never forget. 

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Five Celebrity Movie Musicals I Want to See

This week I rhapsodize here on the Simon Morris blog, letting you know the five celebrity stories I believe need to be brought to the movie musical medium.

Celebs Are So Much More Interesting Than Real People!

As a fan of the movie musical, I can tell you that some of the best, most compelling productions tell the story of a particular person. A famous person obviously, since they lead way more interesting, yet tragic lives than the rest of us.

All you have to do is look at productions such as Evita and Funny Girl to understand this. These musicals were so successful because they were based on stories that were true. We really didn’t know if the real Eva Peron was a saint or a sinner, and yes, the real Fanny Brice’s love life was just that tragic.

These Five Celebrities Have Stories That Would Look Amazing Set to Music

I’m of the opinion that every celebrity has a story that would make for compelling viewing as a movie musical, and in my opinion, these following five celebs have stories destined for the musical silver screen…

1)      Kim Kardashian: I know this is going to be a controversial choice with many of you Simon Morris readers out there, but whether we like it or not, a lot of people find Kim interesting. It’d be like the Heat Magazine of musicals - we really know we shouldn’t see it, but the idea of seeing the infamous sex tape scandal set to music would be too juicy to resist.

2)      Madonna: For someone who’s shown us so much skin, how much do we actually know about who Madonna really is, what motivates and drives her? The famously driven pop icon is a jukebox musical makers wet dream, as not only does she have an epic back catalogue of versatile tunes, but a classic rags to riches story Madonna fans around the world never fail to find compelling.

3)      Barack Obama: If Evita taught us anything, it’s that not only is politics far from boring, it’s great fodder for a musical tune or two,  and there’s no more famous politician in the world today than US President Barack Obama. Personally, I would salivate at the chance to hear his rousing campaign speeches – which lighted fire under a generation – be reimagined as a musical number!

4)      John Lennon: John Lennon never gets less fascinating does he? Arguably, the most famous Beatle, Lennon’s penchant for controversy, troubled life and tragic assassination, would simply shine on the silver screen when accompanied by a rousing musical score. Or, we could just turn it into a jukebox musical!

5)      Judy Garland: As the ultimate movie musical actress with a famously tragic addiction and end, Judy Garland’s life would make the ultimate movie musical. Just think, her real life transition from beleaguered child star to troubled adult actress has compelled so many over the years that it’s just plain obvious.

Do You Agree?

Do you agree with my choices Simon Morris readers? Do you think these celebs have life stories that would make compelling movie musical productions? Or do you think I’m way off base. If you do, then just which celebrity’s story would you like to see made into a movie musical?

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Could Reform to Child Labour Laws Benefit West End Musicals

This week on the Simon Morris blog, I ask whether proposed reforms to child labour laws could benefit West End musicals.

Child Stars are Pivotal to West End Theatre

Many of our favourite West End musicals either have a significant child character or a child character as the star. Look at Billy Elliot or Matilda, for example. Without their child stars, these shows would fall part quicker than a Soufflé that’s failed to rise.

Yet, shows prominently featuring child stars often opt to open on Broadway rather than the West End, meaning New York’s musical theatre scenes sees the benefits these productions bring, rather than London’s.

Andrew Lloyd Weber Explains Why He Might Open His Next Production in New York

Notably, Andrew Lloyd-Weber commented on this recently, as he revealed that he is likely to debut his next production across the pond due to restrictive child labour laws. Lloyd Weber commented that "it's much easier to cast children in New York than it is here."

He elaborated by saying that "you don't have to do all this triple casting, you can cast them as if they're adults and then you can have them for a six–month or a year contract if you want to, without these endless changes. And with a show that is so dependent on the children really being able to play, I think that's important."

What Are the Proposed Reforms to Child Labour Laws?

Yet recent proposed reforms to child labour laws could draw musical theatre producers such as Lloyd-Weber back to London. I came across an article on this subject in the Telegraph recently, which went on to make a compelling case for why moves to reform child labours laws could benefit the West End.

The article went on to point out that the reforms would give child actors shorter breaks, and allow them to work longer hours. Specifically, these plans would allow children under five to do live television and radio broadcasts until 10pm, whilst they would allow children over five to do so up until 11pm. This would cut down the red tape productions face when staging a musical on the West End, making it easier, and more cost effective, for them to do so.

What Do You Think, Simon Morris Readers?

Therefore, the argument goes that reforming child labour laws would draw new productions to London, rather than New York. Yet the move certainly has its detractors. What do you think, Simon Morris readers? Would reforms to child labour laws benefit the West End and even if they would, would they be the best thing for the West End going forward?

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